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The Swan contestants on the ‘sadistic’ pageant reality show: ‘Ultimately, we were just a job’
来源: Culture | The Guardian · 发布于

In a new documentary, film-maker Erin Lee Carr lifts the lid on the 2000s TV series that shocked America It was in 2003, while listening to country radio, that Kelly first heard the casting call: “Have you dreamed about plastic surgery but never thought you could afford it?” She
In a new documentary, film-maker Erin Lee Carr lifts the lid on the 2000s TV series that shocked America It was in 2003, while listening to country radio, that Kelly first heard the casting call: “Have you dreamed about plastic surgery but never thought you could afford it?” She immediately turned up the volume. The pitch sounded too good to be true: free cosmetic procedures, a nutritionist, self-esteem work – one “life-changing opportunity” that “could transform everything”. Kristy, Cindy, Tawnya and Beth heard the call, too: the chance to overhaul oneself from the outside in, fulfilling the implicit but omnipresent promise that if you just lost a little weight and just tweaked your face a bit, your whole life would open up.
You, too, could be an ugly duckling transfigured into a swan. The catch? It would all be filmed for television, of course, for a short-lived show that some have called one of the most sadistic of all time: The Swan.
The Fox reality program, which ran for two seasons in 2004, brought the spectacle of intensive plastic surgery – the endurance of extreme pain and humiliation in pursuit of a narrow beauty ideal – to US living rooms with shocking bluntness: bandages and bruises, surgical cannulas pounding into flesh, curt assessments of lumps and bumps and “masculine” teeth that must be corrected in pursuit of a better you. Even among similarly thin-obsessed programs from the infamously ruthless wild west of early reality television – America’s Next Top Model and The Biggest Loser , to name a few – The Swan stands out as especially cruel, at once hopelessly bought into punitive beauty standards on-screen and shamelessly manipulative off it. Continue reading...
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