Culture & Entertainment
‘It’s rational to fear the music industry’: Grouper’s Liz Harris on virality, streaming scammers and her ‘restorative’ dream-pop trio
Source: Culture | The Guardian · Published
When a rarity blew up on TikTok, the solitary ambient artist had fraudsters trying to steal her royalties. It reinforced her DIY mentality – until reforming her band Helen reminded her of the beauty of collaboration In mid-September, I watched as Liz Harris soundchecked to 1,500
When a rarity blew up on TikTok, the solitary ambient artist had fraudsters trying to steal her royalties. It reinforced her DIY mentality – until reforming her band Helen reminded her of the beauty of collaboration In mid-September, I watched as Liz Harris soundchecked to 1,500 empty seats at midtown Manhattan’s historic Town Hall theatre. Soon each plush red chair would be filled for the second of two sold-out nights, but this ornate seclusion felt oddly perfect.
It is fair to infer that most of her concertgoers generally listen to the uncanny experimental music she makes as Grouper alone, just as she creates it. Harris started Grouper in 2005 in the DIY noise warehouses of Oakland, California. At 46, she now lives farther north, in coastal Astoria, Oregon, where she creates densely tessellated visual art and spare, lucid albums that have made her a titan of modern ambient music.
Painfully beautiful and often inscrutable, hers is a sonic language all its own, creating thickets of sound using little more than guitar or piano, voice and space; her angelic and alien songs have influenced artists as disparate as Phoebe Bridgers and Mk.gee , and been sampled by Lil B and 100 Gecs. It is intensely solitary work, often characterised as sad but full of profound relief. “Like a bloodletting,” Harris offers.
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