American Hagwon by Min Jin Lee review – a gloriously immersive follow-up to Pachinko

A Korean family is willing to sacrifice everything for their children’s education, in the third book in Lee’s Diaspora Quartet “An excellent hagwon,” according to one of the characters in Min Jin Lee’s new novel, “is everything.” Every year, Korean parents pay hefty sums to send

A Korean family is willing to sacrifice everything for their children’s education, in the third book in Lee’s Diaspora Quartet “An excellent hagwon,” according to one of the characters in Min Jin Lee’s new novel, “is everything.” Every year, Korean parents pay hefty sums to send their children to these private after-school academies designed to turbocharge academic performance, where they spend evenings and weekends being drilled in mathematics, reasoning and essay technique. In the third book in what she has called her Diaspora Quartet – a follow-up to 2017’s Pachinko , recently named one of the New York Times’s top 100 books of the 21st century – she presents the fierce competition to snag a spot at those hagwons deemed the best as symptomatic of Korea’s scarcity mindset: in a country where university places and white-collar jobs are hard to come by, everyone’s looking for an edge. But over the course of the novel’s 650 pages, they also come to stand as symbols of pretty much everything you can think of: of country and culture; of failure and success; of responsibility, or the lack of it; of what it means to achieve, and of what, in the final analysis, the purpose of our achievements might be.

The action in American Hagwon unspools over nearly three decades, and crisscrosses from Seoul to Sydney to California and back to Seoul again. At its centre is the Koh family: John, Helen and their three children, Bo, DH and Mido. When the novel opens in 1992, their life in Korea appears comfortably middle-class – John is a senior manager at a multinational corporation; Helen is an upmarket saleswoman, her commissions covering the children’s hagwon fees.

But they are dramatically capsized: first by a personal betrayal and then again, in a brutal one-two, by the financial crisis that clobbered Asia in the late 90s. The family move, then later move once more: sometimes together, more often following their own trajectories; but always connected, and supporting one another as opportunity and need ebb and flow between them. Continue reading...