Tomi Adeyemi on the film of her hit novel Children of Blood and Bone: ‘I don’t plan to watch it’

Her debut earned a record-breaking YA book deal – then came her fallout with Hollywood. The author talks about the pressures of success and why she is pictured on the cover of her new novel There is a photograph of Tomi Adeyemi staring out from the cover of her new novel, The Sir

Her debut earned a record-breaking YA book deal – then came her fallout with Hollywood. The author talks about the pressures of success and why she is pictured on the cover of her new novel There is a photograph of Tomi Adeyemi staring out from the cover of her new novel, The Siren. It is an arresting image: her face fills the frame, unsoftened by a smile, her piercing gaze fixed directly on the viewer.

“It’s terrifying – like the Mona Lisa, staring at you everywhere,” she says, laughing. Using an author portrait on the cover of a novel is highly unusual, and a decision that Adeyemi says is a statement of ownership. After 12 years spent inside the world of Children of Blood and Bone – the first book in the YA trilogy that made her a literary star and its film adaptation which has become a source of profound distress – Adeyemi wanted this book to belong unmistakably to her.

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