الثقافة والترفيه
‘The Mongoose’ Review: Liam Neeson Goes on the Run in a Bland Actioner
المصدر: Variety · نُشر
Since the days of “Vanishing Point” and Steven Spielberg’s “The Sugarland Express,” Hollywood has been making films about fugitives in fast cars who become media-sensation folk heroes. Companies like American International Pictures and Roger Corman’s New World Pictures would deli
Since the days of “Vanishing Point” and Steven Spielberg’s “The Sugarland Express,” Hollywood has been making films about fugitives in fast cars who become media-sensation folk heroes. Companies like American International Pictures and Roger Corman’s New World Pictures would deliver movies like this a few times a year back in the 1970s, while simultaneously introducing […]
أخبار ذات صلة
Samsung S95H OLED TV Review (2026)
It performs great, with rich texture and high brightness, but faces new competition when it comes to color dominance.
WIRED ·
Harry Styles Ended His Historic Madison Square Garden Run — And This Song Captured It All
The bass-filled record "Season 2 Weight Loss" became an essential part of how we understand the singer, especially across his 30-night New York residency
Rolling Stone ·
Sir Patrick Stewart: A life in pictures
His career on stages and screens spanned seven decades but came to be defined by his roles on some of the most popular sci-fi franchises in history.
feeds.bbci.co.uk ·
Why Directors Teodora Ana Mihai and Sode Yukiko Kept Motherhood Secret From Colleagues: ‘I Needed to Prove Myself Three Times More’
Two directors with films at this year’s Tokyo International Film Festival said they once kept impending or new motherhood hidden from the people they worked with, at a festival talk on raising children while making films. Belgium-based Teodora Ana Mihai, whose “Heysel 85” plays i
Variety ·
Isabelle Huppert Vampire Film ‘The Blood Countess’ Was Cut Against Director’s Wishes, Ulrike Ottinger Tells Tokyo Event
Isabelle Huppert vampire film “The Blood Countess” lost as much as 20 minutes against the wishes of its director, Ulrike Ottinger, the veteran German filmmaker said at the Tokyo International Film Festival, which is hosting a retrospective of her work. In “The Blood Countess” (“D
Variety ·