الثقافة والترفيه
Netflix’s ‘The Blue Road’ Director Han Jun-hee on Why Playing It Safe Is the Real Risk
المصدر: Variety · نُشر
When Han Jun-hee binge-watched “House of Cards,” the series struck him as a game changer. It left him with one ambition: to make a story no one had told before, but that many people would watch. Delivering a masterclass at Netflix’s Creative Asia program during the Busan Internat
When Han Jun-hee binge-watched “House of Cards,” the series struck him as a game changer. It left him with one ambition: to make a story no one had told before, but that many people would watch. Delivering a masterclass at Netflix’s Creative Asia program during the Busan International Film Festival (BIFF), the director of “Coin […]
أخبار ذات صلة
‘Decision to Leave’ Cinematographer Kim Ji-yong on Chasing Natural Light for Lee Chang-dong’s ‘Possible Love’: ‘This Is the One Where We Worried, Debated and Planned the Most’
When Kim Ji-yong read the script for “Possible Love,” its emotional climax, set in a still forest by the beach, had no wind in it. Korean summer storms on location changed that. The cinematographer behind “Decision to Leave” and “Squid Game” Season 2 asked director Lee Chang-dong
Variety ·
Hollywood Executives See Growing Market for Asian Stories, but ‘Every Movie Is Still a Fight’
Hollywood’s appetite for Asian stories has broadened, but for Lionsgate’s Helen Lee-Kim, “every movie is still a fight.” Lee-Kim, the studio’s president of international, made the remark at the Busan International Film Festival’s Asian Contents & Film Market during the panel “UTA
Variety ·
Why Netflix, Amazon and Other Streamers Haven’t Proved Saviors for the Kids Content Industry
The major problem for so many kids content producers these days is getting their series financed. Many are now at Mipcom, the world’s biggest annual TV confab set to take place from Monday in Cannes, the same French Riviera city that hosts the legendary film festival. Proceedings
Variety ·
Generative AI Still Needs Artists’ Judgment, Says Netflix’s Eyeline GenFX Chief James Rustad at Busan
Generative AI can widen the options for a visual effects shot, but artists still decide which of them serve the story, according to James Rustad, global head of GenFX at Eyeline, Netflix’s in-house VFX studio. Rustad made the case at an InnoAsia session “Making What’s Next: Gener
Variety ·
AI Can Cut Film Budgets by Up to 40%, Says ‘The Outlaws’ Director Kang Yoon-sung, as Netflix Reveals Use on 300 Titles: ‘A Human Touch Is Absolutely Essential’
Netflix has used AI in one form or another on some 300 of its titles, Lee Sung-gyun, the streamer’s senior director of APAC production, told an audience at the Busan International Film Festival. On the same panel, “The Outlaws” director Kang Yoon-sung said AI workflows could take
Variety ·