الثقافة والترفيه
‘It’s OK to love somebody when they’re not perfect’: how John Cena conquered Hollywood – and why he refuses to abandon Vince McMahon
المصدر: Culture | The Guardian · نُشر
By embracing the role of amiable lunk, the wrestler turned actor has become an unlikely, and very modern, leading man. But does his relationship with the WWE, and its controversial former owner, risk tarnishing his brand? I must admit, I was apprehensive about meeting John Cena.
By embracing the role of amiable lunk, the wrestler turned actor has become an unlikely, and very modern, leading man. But does his relationship with the WWE, and its controversial former owner, risk tarnishing his brand? I must admit, I was apprehensive about meeting John Cena.
The WWE wrestler turned actor has built an enviable Hollywood career playing idiots – capable idiots with real heart, but dimwits nevertheless. Still, Cena is obviously nobody’s fool; fools don’t rise from humble beginnings to become their generation’s answer to Hulk Hogan or The Rock. Would the Cena who appears on my computer screen be the real one?
Or something closer to the comic-book characters he embodies so well: guileless, silly and fond of a deliberate misunderstanding? It is immediately clear that this is no manchild. Perfectly punctual, he greets me with a lavish formality befitting a man who made his film debut as the title character in The Marine.
Within a minute he has volunteered, unprompted, that “a core value of mine is respect”. Cena, 49, is speaking to me on behalf of Matchbox: The Movie, a film extension of the Mattel toy car brand for Apple TV, and for 45 minutes he is generous, funny, complimentary and elusive without ever being evasive. It’s a genuinely radical thing for a man built like a chest freezer – having only recently retired from wrestling after 26 years – to be so relaxed about being ridiculous, and in an age of such joyless online strongmen as Trump, Musk and Andrew Tate, his buff charm is welcome.
Continue reading...
أخبار ذات صلة
Private capital is reshaping Hollywood moviemaking
As Hollywood's financing structures diversify, private capital is increasingly funding the big screen and changing the types of movies that are being made.
Business News ·
Metallica review – metal titans on fine form in spectacular rarities-focused show
Sphere, Las Vegas The first night of a new residency is an immersive plunge into the band’s visual world that showcases the depth of their catalog Las Vegas’s Sphere takes on the characteristics of whatever it’s advertising on its exterior. Depending on when you look, you might s
Culture | The Guardian ·
‘It’s rational to fear the music industry’: Grouper’s Liz Harris on virality, streaming scammers and her ‘restorative’ dream-pop trio
When a rarity blew up on TikTok, the solitary ambient artist had fraudsters trying to steal her royalties. It reinforced her DIY mentality – until reforming her band Helen reminded her of the beauty of collaboration In mid-September, I watched as Liz Harris soundchecked to 1,500
Culture | The Guardian ·
‘It’s a deep soul connection’: Erasure on how 40 years of friendship got them through grief – and why Vince Clarke has quit touring
Returning for a 20th album of sumptuous synthpop, Andy Bell and Clarke open up about difficult recent years, being happily uncool and battling resurgent homophobia Andy Bell is rabbiting away on multiple topics. There’s his farm in Mallorca, where he and his husband Stephen Moss
Culture | The Guardian ·
Brakence Returns With New Album Marrow
It’s his first since 2022’s Hypochondriac
RSS: News ·