In You Can See Everything, it’s Elizabeth Holmes’s partner who makes for 2026’s timeliest villain

Nathan Fielder’s conversation-igniting film on the Theranos founder finds its darkest moments in her deceptive, Charlie Kirk-loving fiance Billy Evans Secrets, lies and a shock A-list cameo: how You Can See Everything became the film of the year ‘You can’t make this stuff up’: wh

Nathan Fielder’s conversation-igniting film on the Theranos founder finds its darkest moments in her deceptive, Charlie Kirk-loving fiance Billy Evans Secrets, lies and a shock A-list cameo: how You Can See Everything became the film of the year ‘You can’t make this stuff up’: why we remain fascinated by Elizabeth Holmes It’s likely that most audiences going into the surprise documentary smash You Can See Everything are familiar with either its nominal subject (and literal poster gal with an intense stare) Elizabeth Holmes, the tech founder serving a prison sentence for defrauding investors; or the film’s on-camera co-director Nathan Fielder. Holmes, as the movie points out, was all over the media as her company Theranos was hyped to the moon and then spectacularly imploded; she was also played by Amanda Seyfried in the well-regarded Hulu miniseries The Dropout. Fielder, meanwhile, may not have graced as many magazine covers, but is similarly familiar to prestige-TV acolytes from his comedy-reality series Nathan for You and its successor, the more reality-bending series The Rehearsal.

A third figure not included in the film’s ad campaign becomes a key part of the film in the second half, and will also be familiar to many viewers. This should leave Billy Evans as the odd man out. Evans, Elizabeth Holmes’s partner (she has said they’re not legally married, though they did get engaged in 2018, have two children and seem to treat each other as spouses), is a not-particularly-famous guy whose screen time competes with the other three well-known faces in what is essentially a four-character drama.

But while Evans isn’t boxed out in terms of screen time or memorability, he does remain the odd man out in the sense that in all the discussion You Can See Everything has prompted about manipulation, shifting sympathies and who can or cannot be trusted, everyone seems to agree on one crucial point: Billy Evans sucks. Continue reading...