Alex Garland’s Elden Ring adaptation is on course to be Hollywood’s goriest ever fantasy movie

The expansive project has hype and money behind it – but how do you avoid it falling into the disappointment trap so many films end up stumbling into? If the history of failed Hollywood fantasy projects over the past 20 years has taught us anything, it is that transporting audien

The expansive project has hype and money behind it – but how do you avoid it falling into the disappointment trap so many films end up stumbling into? If the history of failed Hollywood fantasy projects over the past 20 years has taught us anything, it is that transporting audiences to another world is only half the battle: you also have to give them a reason to spend several hours there. The Golden Compass diluted Philip Pullman’s theological bite, Warcraft thought that just explaining its world would make us care about it, and The Dark Tower compressed Stephen King’s sprawling mythology so ruthlessly that it scarcely left room for a story.

All these films at one point had fans of the original source material quivering with anticipation at the prospect of seeing their beloved worlds on the big screen; all ended up disappointing. Which brings us to the forthcoming Alex Garland adaptation of the hugely popular high fantasy video game, Elden Ring. If there was ever a cinematic test of the phrase “too big to fail”, it is surely this.

Elden Ring has sold more than 30m copies and is widely regarded as one of the greatest video games ever made. George RR Martin himself wrote the foundational mythology of warring demigods that underpins its gorgeous fantasy hellscape. And Garland as writer-director seems almost impossibly perfect: as the creative behind Dredd, Ex Machina and Annihilation, he has both the taste for beautiful nightmares and the geek credentials to deliver something extraordinary.

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